康沃尔渔村的风(fēng )(🐽)景明信片田园(🍩)诗误导(dǎo )(🃏)了人们。虽(suī )(🛍)然过(guò )去钓鱼是一种养家糊口的(de )方(🌰)式，但如今(🐮)富(fù )有的伦敦游(🌫)客纷纷下山，取代了(le )当地人(rén )，当地人的(👑)生(🎩)计因此受到(🕖)威(wēi )胁。史(shǐ )蒂(dì )文和马(🛹)丁兄弟的关系也很紧张。马丁是(shì )一个没有船的渔夫，因为(🐖)史(🤷)蒂文开始(shǐ )用它来为(wéi )一(yī )整天的游客提供(gòng )更赚钱(qián )的旅游。他(tā )们卖掉(🥔)了这座家庭(🔝)别(✋)墅，现在(🤠)看来，最后一场战斗是和新主(zhǔ )人在(zài )海边的停车位上(🕙)展开(😍)。然(rán )而，情况很快就(jiù )失(🧟)控了(le )(🧣)，而不(🕯)仅仅是(shì )因为车轮夹钳(qián )(💔)。Bait是(💍)一种(🐾)黑白，手(shǒu )工制作(🌹)，16毫米(mǐ )胶片制作的电影。许多关于鱼、网(wǎng )、龙(🈺)虾、长靴、绳结和(hé )渔篮的(📸)特(tè )(🥤)写(xiě )镜头让人想起了(🏃)蒙(méng )太奇景点的理(lǐ )(🔙)论。对(🐖)不同(🖍)社会阶层(🚡)的描述——可以说是阶(🕕)级(jí )关(guān )系——也(yě )让人想起了(le )英国电影中的社会(huì )现(xiàn )(💑)实(shí )(🎴)主(😉)义传(chuán )统。然而，最(zuì )(🈺)重要的是，在影(yǐng )(🔬)像中不同层次的(🐌)电(diàn )影历史(👼)参考文献(🏡)之下，当(dāng )前(🛃)许多政治关联正(🐇)在等(děng )待(dài )(🔍)被(🏗)发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata –(🎁) one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.